A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Izložba o arhitekturi Jugoslavije u MoMA muzeju

Najuticajniji muzej moderne umetnosti na svetu, njujorški Museum of Modern Art (MoMA), od 15. jula prikazivaće izložbu Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, čija je tema arhitektura bivše Jugoslavije.

To će biti prva velika međunarodna izložba koja se bavi arhitekturom bivše Jugoslavije, a koja će obuhvatiti više od 400 crteža, modela, fotografija i video radova iz raznih opštinskih arhiva, porodičnih kolekcija i muzeja širom regiona, putem kojih će posetioci moći da pogledaju dela vodećih arhitekata socijalističke Jugoslavije.

Arhitektura koja se pojavila tokom tog perioda - od modernih nebodera, do monumentalnih spomenika i drugih objekata - predstavlja manifest radikalnog pluralizma, hibridnosti i idealizma koji je karakterisao samu jugoslovensku državu, navodi se u zvaničnoj najavi izložbe.

Izložba istražuje teme urbanizacije, tehnološkog eksperimenta i njegove primene u svakodnevnom životu, spomenicima, memorijalizaciji i globalnom dosijeu jugoslovenske arhitekture, u pravcu konkretne utopije, a predstaviće radove važnih arhitekata, uključujući Bogdana Bogdanovića, Juraja Neidhardta, Svetlane Kane Radević, Edvarda Ravnikara, Vjenčeslava Rihtera i Milice Šterić.

Organizatori izložbe su Martino Sterli, glavni kustos arhitekture i dizajna MoMA muzeja, Vladimir Kulić, gostujući kustos i Ana Kats, kustos asistent na Odseku za arhitekturu i dizajn MoMA muzeja.

Izložba "Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980" biće otvorena od 15. jula ove do 13. januara 2019. godine.

Izvor: Mondo


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Ivana Todorović

Ivana Todorović je rediteljka kratkih socijalno angazovanih dokumentarnih filmova, koje je pravila u Beogradu i Njujorku. Filmovi „Ja kada sam bila klinac, bila sam klinka“, „A Harlem Mother“, „Rapresent“ i „Svakodnevica romske dece iz bloka 71“ prikazani su na preko 100 internacionalnih filmskih festivala poput 63. Festivala u Berlinu, Berlinale Shorts; IFF Rotterdam, The Traverse City Film Festival (festival Michael Moore-a), Palm Springs Shorts, Sarajevo Film Festival; Anthology Film Archive u Njujorku i Cultura Contemporiana de Barcelona. Nagradjivani su na festivalima u Srbiji, Kosovu, Americi, Rusiji, Italiji, Kanadi.

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On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.