A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

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People Directory

Savatije Sava Ljubicic

Savatije Sava Ljubicic [Savatije Sava Ljubičić, Саватије Сава Љубичић], highly acclaimed Yugoslav composer, was born in 1931, in Cacak, Serbia. He comes from a well known family of musicians with Savatije Ljubicic being the only family member to be a composer. His first musical training began at the age of three when he was at his father’s music school. While listening to the Serbian country songs and dances, he was taught how to play the accordion. His father Miloje Ljubicic, also known as one of Serbia’s best flute builders, opened the music school in Cacak in order to teach farmers’ young children how to be able to play, appreciate and enjoy the Serbian country music its rich folklore The school was opened in 1933, the year when Ljubicic’s father as a singer and accordion player wins the highest award given to outstanding vocalists and musicians in former Yugoslavia.

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Publishing

On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.