A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Премијера „Теслиног народа“ на Коларцу

Документарни филм „Теслин народ“, који прати судбине више од седамдесет истакнутих Срба у Сједињеним Америчким Државама, премијерно се приказује вечерас у Коларчевој задужбини. Рађен је у продукцији РТС-а и „Оптимистик филма“ уз пoдршку Министарства културе, Америчке амбасаде и Савета за креативне индустрије.

После вечерашње премијере, филм ће се приказивати у биоскопима широм Србије, следеће године и у Америци. Теслин народ биће приказан и на РТС-у.

Разговор Снежане Стаменковић Јојић са редитељем Жељком Мирковићем и глумцем Џеком Димићем можете погледати на веб-страници Радио Телевизије Србије.

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James Scully

James Scully

James Scully is the author of 10 books of poetry, including Donatello’s Version (Curbstone Press/Northwestern University Press, 2007), four book-length translations, the seminal essay collection Line Break: Poetry as Social Practice (Curbstone Press/ Northwestern University Press, 1988/2005), and Vagabond Flags: Serbia & Kosovo: Journal, Scrapbook & Notes (Azul Editions, 2009). The founding editor of Art on the Line series (Curbstone Press, 1981-1986), he has been a key figure in the movement to radicalize the theory and practice of American poetry—in how it is lived as well as in how it is written.

Born in 1937 in New Haven, CT, Scully lives in Vermont with his wife, Arlene. They’ve been married since 1960 and have a son, John, and a daughter, Deirdre. His awards include a National Defense Fellowship 1959-1962; an Ingram Merrill Foundation Fellowship (Rome, Italy 1962-63); the Lamont Poetry Award 1967 for The Marches; the Jenny Taine Memorial Award 1971 for translation; a Guggenheim Fellowship (Santiago, Chile 1973-74); National Endowment for the Arts Fellowships 1976-77 and 1990; the Islands & Continents Translation Award 1980; and the Bookbuilders of Boston Award 1983 for book cover design.

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The Hagia Sophia

The Hagia Sophia

The Mystical Light of the Great Church and its Architectural Dress

by Charalambos P. Stathakis

Dear reader, as you run like the rest of us along the dizzy main road, stop, stay aside for a while. Let the others be dizzy, and take the secret underground trail, which will lead you through the dewdrops of the leaves, the crystal smile of the sun, the city’s underground galler- ies, your knowledge, and your feelings, to the doorstep of the Hagia Sophia. Because all dew- drops, all sunrays, and all beauty lead there. That is what you will be told by my friend, the author, whom I am fond of and whom I send you to, Charalambos Stathakis: the doctor, the warm and humane researcher, the scientist devoted to his work and his patients, who has given a series of scientific papers, who, nevertheless, retains a nest of beauty untouched in his heart, which makes him outstanding—even though he is not a specialist in architecture, nor a historian, nor a theologian, nor a Byzantinist—it makes him stand out in all these together and in entirety.