A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

SA

 

People Directory

Djordje Stijepovic

Djordje Stijepovic (Serbian: Ђорђе Стијеповић, Đorđe Stijepović, pronounced [d͜ʑô̞ːrd͜ʑe̞ stijě̞ːpo̞ʋit͜ɕ]) is a Serbian-American double bass player, singer and composer. He is best known as bassist for the psychobilly band Tiger Army and for Nickelodeon star Drake Bell. He is also a former member of Lemmy Kilmister's (Motörhead) side project The Head Cat (with Stray Cats' Slim Jim Phantom on drums).

As a bandleader, Stijepovic fronts the rockabilly band Atomic Sunset and performs as a solo artist under his own name. He has also recorded and performed as a guest musician with Tommy Emmanuel, Marco Beltrami, Wanda Jackson, Molotov, Rachel Brice and Beats Antique among others.

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Publishing

Treasures New and Old

Writings by and about St. Nikolai Velemirovich

Before us is a book about a theologian, a minister, a missionary, a writer, a poet, an apostle, a saint, a man of dialogue: this book is about St. Nikolai Velimirovic, Bishop of Ohrid and Zhicha (1880 - 1956), who along with his many other attributes is regarded, with good reason, as an Enlightener of the Americas, The renewed interest in this man and his works has resulted in the materialization of this book for English-speaking readers who wish to become acquainted with this extraordinary person. The collected texts provide an extensive over view of his life, present important testimonies about his personality, and offer essential insights into his theology. The authors penetrate the depths of his thought with remarkable precision and also elucidate his actions. The authros agree that the appearance of Nikolai Velimirovich marks an era of change in the ecclesiastical and theological paradigm as a result of his spirituality, ecclsiastical work, and theological position.