A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla
Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt
While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson
Dates and locations:
Sunday, April 14th at 3:30 pm
La Jolla/Riford Library in the Community Room.
7555 Draper Street, La Jolla, CA 92037.
(Please see the attached flyer)
Wednesday, April 24th at 7:00 pm
Carmel Valley Library in the community room.
3919 Townsgate Drive, San Diego, CA 92130.
1. An Apostle of Universal Significance
Born during the presidency of Abraham Lincoln, Archimandrite Sebastian Dabovich has the distinction of being the first person born in the United States of America to be ordained as an Orthodox priest,[1] and also the first native-born American to be tonsured as an Orthodox monk. His greatest distinction, however, lies in the tremendous apostolic, pastoral, and literary work that he accomplished during the forty-eight years of his priestly ministry. Known as the "Father of Serbian Orthodoxy in America,"[2] he was responsible for the founding of the first Serbian churches in the NewWorld. This, however, was only one part of his life's work, for he tirelessly and zealously sought to spread the Orthodox Faith to all peoples, wherever he was called. He was an Orthodox apostle of universal significance.
In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.
The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0
