A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Zivkovic Wins Grawemeyer Music Prize

“On the Guarding of the Heart,” a piece for chamber orchestra by Serbian-born composer Djuro Zivkovic (joo-ROH’ zhiv-KOH’-veetz), has won the 2014 University of Louisville Grawemeyer Award for Music Composition.

The 20-minute work “makes a huge emotional journey in a relatively short period of time, moving through many landscapes between the mysterious, moody opening and the ecstatic conclusion,” said award director Marc Satterwhite.

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“The composer also makes wonderful use of the colors of the 14-piece ensemble. The instruments are used in fascinating ways, both traditional and otherwise … that shape the sound of unnatural, echoing beauty,” he said.

Zivkovic, 38, describes the piece as an “instrumental cantata” inspired by the religious music of Bach. Its main theme is the need to return to oneself.

“It is about hard-achieved detachment, stillness and watchfulness, it’s about solitude and exile,” the composer said.

Born in Belgrade in 1975, Zivkovic has lived in Stockholm, Sweden, since 2000. He is active as a violinist and violist—with a special interest in improvisation—and teaches at the Royal College of Music in Stockholm.

Austrian ensemble Klangforum Wien gave the first performance of “On the Guarding of the Heart” in November 2011 in Belgrade. The piece also has been performed in Vienna and Bergen.

Zivkovic’s music has been commissioned, performed, recorded and broadcast across Europe and North America by ensembles such as Sonanza, Klangforum Wien, Trio Fibonacci, Musica Vitae Chamber Orchestra, BIT20 and Stockholm Symphonic Wind Orchestra and people such as conductors Emilio Pomarico and Baldur Brönnimann and Swedish contralto Anna Larsson.

He received a Swedish Grammy Award 2010 (Grammis) with Sonanza for his piece “Le Cimetière Marin” for mezzo-soprano and ensemble.

Influenced at an early age by folklore and Byzantine music, he has developed a wide range of composing techniques such as polyrhythms, improvisation, harmony-based scales and microtones. Over the past decade, he has become particularly interested in harmonic organization, an area he has identified as crucial in modern compositions.

UofL presents four Grawemeyer Awards each year for outstanding works in music composition, world order, psychology and education. The university and Louisville Presbyterian Theological Seminary jointly give a fifth award in religion. This year’s awards are $100,000 each.

For more details on the awards or to download Zivkovic’s photo, see grawemeyer.org

From University of Louisville


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Mihajlo Pupin

Mihajlo Idvorski Pupin, Ph.D, LL.D. (October 4th, 1858 - March 12th, 1935) was a Serbian physicist, best known for devising means of greatly extending the range of long-distance telephone communication by placing loading coils (of wire) at predetermined intervals along the transmitting wire (known as pupinization).

Pupin was born in the village Idvor, Banat (then the Austro-Hungarian Empire) to a Serbian family. Pupin emigrated to U.S. when he was only 16.

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Before us is a book about a theologian, a minister, a missionary, a writer, a poet, an apostle, a saint, a man of dialogue: this book is about St. Nikolai Velimirovic, Bishop of Ohrid and Zhicha (1880 - 1956), who along with his many other attributes is regarded, with good reason, as an Enlightener of the Americas, The renewed interest in this man and his works has resulted in the materialization of this book for English-speaking readers who wish to become acquainted with this extraordinary person. The collected texts provide an extensive over view of his life, present important testimonies about his personality, and offer essential insights into his theology. The authors penetrate the depths of his thought with remarkable precision and also elucidate his actions. The authros agree that the appearance of Nikolai Velimirovich marks an era of change in the ecclesiastical and theological paradigm as a result of his spirituality, ecclsiastical work, and theological position.