A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Jelena Stupljanin

While in high school, Jelena ended up in a drama studio where she was trained and tutored by the late legendary acting professor Milenko Maricic. Then, a year later she was accepted at the prestigious National Academy of Dramatic Arts of Serbia, after auditioning with nearly 1000 candidates, in the class of the renown professor Gordana Maric. She completed the four years endeavor ahead of time with excellence and an award 'Branivoj Djordjevic' for best student in diction.

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Jelena won the hearts of the nation playing the title role in the musical 'Front Page Doll,' which earned her the best actress award of Theater 'Terazije'. This was the beginning of a new era of Jelena's career. Her success continued when she became a permanent member of one of the leading European theater companies' Atelje 212, where she took part in many mainstream productions, both nationally and internationally, including tours in most of the European countries.

Although she has appeared in many minor TV and Film productions before, Lisice-Foxes, a TV cult title featured on the national Serbian broadcast, that 'introduced' Jelena Stupljanin to the mass TV audiences across Serbia and the Balkans. Being one of the lead characters, Jelena and her fellow cast members mesmerized the spectators and made Foxes a grand success.

With the great generosity and support of Svetozar Cvetkovic (the artistic director of Atelje 212), HRH Princess Elizabeth Karageorgevic of Serbia as well as Ms Eileen Murray, Jelena was sponsored to attend the Lee Strasberg Theater and Film Institute in New York.

Currently Jelena is based bi-continentally and works both in Europe and the US on both the east and the west coast, and she is equally successful on stage and on screen.

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Katarina Miljković

Composer Katarina Miljkovic investigates interaction between science, music and nature through collaborative musical performance. This interest led her to the mathematician Benoit Mandelbrot's essay The Fractal Geometry of Nature and self-similar complex structures resulting in the cycle, Forest, “…a dreamy piece, along the lines of Feldman or Brown, entirely captivating (Signal to Noise). Her generative music has been described as a refined, hypnotic dream (Danas) a work of musical and visual slow-motion with only a few delicately elaborated musical metaphors (Radio Belgrade), "ambient tone poem... that moved hypnotically through the sonic frame" (Lucid Culture).

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Publishing

Holy Emperor Constantine and the Edict of Milan

by Bishop Athanasius (Yevtich)

In 2013 Christian world celebrates 1700 years since the day when the Providence of God spoke through the holy Emperor Constantine and freedom was given to the Christian faith. Commemorating the 1700 years since the Edict of Milan of 313, Sebastian Press of the Western American Diocese of the Serbian Orthodox Church published a book by Bishop Athanasius Yevtich, Holy Emperor Constantine and the Edict of Milan. The book has 72 pages and was translated by Popadija Aleksandra Petrovich. This excellent overview of the historical circumstances that lead to the conversion of the first Christian emperor and to the publication of a document that was called "Edict of Milan", was originally published in Serbian by the Brotherhood of St. Simeon the Myrrh-gusher, Vrnjci 2013. “The Edict of Milan” is calling on civil authorities everywhere to respect the right of believers to worship freely and to express their faith publicly.

The publication of this beautiful pocket-size, full-color, English-language book, has been compiled and designed by Bishop Athanasius Yevtich, a disciple of the great twentieth-century theologian Archimandrite Justin Popovich. Bishop Athanasius' thought combines adherence to the teachings of the Church Fathers with a vibrant faith, knowledge of history, and a profound experience of Christ in the Church.

In the conclusion of the book, the author states:"The era of St. Constantine and his mother St. Helena, marks the beginning of what history refers to as Roman, Christian Empire, which was named Byzantium only in recent times in the West. In fact, this was the conception of a Christian Europe. Christian Byzantine culture had a critical effect on Europe; Europe was its heir, and then consciously forgot it. Europe inherited many Byzantine treasures, but unfortunately, also robbed and plundered many others for its own treasuries and museums – not only during the Crusades, but during colonial rule in the Byzantine lands as well. We, the Orthodox Slavs, received a great heritage of the Orthodox Christian East from Byzantium. Primarily, Christ’s Gospel, His faith and His Church, and then, among other things, the Cyrillic alphabet, too."