A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Jelena Stupljanin

While in high school, Jelena ended up in a drama studio where she was trained and tutored by the late legendary acting professor Milenko Maricic. Then, a year later she was accepted at the prestigious National Academy of Dramatic Arts of Serbia, after auditioning with nearly 1000 candidates, in the class of the renown professor Gordana Maric. She completed the four years endeavor ahead of time with excellence and an award 'Branivoj Djordjevic' for best student in diction.

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Jelena won the hearts of the nation playing the title role in the musical 'Front Page Doll,' which earned her the best actress award of Theater 'Terazije'. This was the beginning of a new era of Jelena's career. Her success continued when she became a permanent member of one of the leading European theater companies' Atelje 212, where she took part in many mainstream productions, both nationally and internationally, including tours in most of the European countries.

Although she has appeared in many minor TV and Film productions before, Lisice-Foxes, a TV cult title featured on the national Serbian broadcast, that 'introduced' Jelena Stupljanin to the mass TV audiences across Serbia and the Balkans. Being one of the lead characters, Jelena and her fellow cast members mesmerized the spectators and made Foxes a grand success.

With the great generosity and support of Svetozar Cvetkovic (the artistic director of Atelje 212), HRH Princess Elizabeth Karageorgevic of Serbia as well as Ms Eileen Murray, Jelena was sponsored to attend the Lee Strasberg Theater and Film Institute in New York.

Currently Jelena is based bi-continentally and works both in Europe and the US on both the east and the west coast, and she is equally successful on stage and on screen.

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Stefan Milenkovich

Awarded as Serbia's "Brand Personality of the Year" for 2010, Stefan Milenkovich is a unique artist with an extraordinary productive longevity, professionalism and creativity. His musical philosophy as well as lifestyle are a true definition of eclectic, exploring general human and musical heritage and experience in order to connect directly with the audiences and provide fun, engaging and energetic performances.

Mr. Milenkovich's 2010-11 season includes performances with Belgrade Philharmonic under the baton of Sir Neville Marriner, Radio Television Orchestra of Slovenia under conductor En Shao, Adana and Izmir Symphony Orchestras with Ibrahim Yazici. This season also features collaboration with lutist Edin Karamazov that includes extensive tour of the Balkans, as well as CD recording and appearance at the Guitar Art Festival in Belgrade. As a musician of broad stylistic interests, most recent project is intense collaboration with guitarist Vlatko Stefanovski and his trio, with Mr. Milenkovich exploring the realm of improvisation and acustic-electric violin. Other performances this season will include the world premiere of Rudolf Haken's Violin Concerto written for Mr. Milenkovich at the NOMUS Music Festival in Novi Sad, Serbia.

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Publishing

My Brother's Keeper

by Fr. Radovan Bigovic

Rare are the books of Orthodox Christian authors that deal with the subject of politics in a comprehensive way. It is taken for granted that politics has to do with the secularized (legal) protection of human rights (a reproduction of the philosophy of the Enlightenment), within the political system of so-called "representative democracy", which is limited mostly to social utility or to the conventional rules of human relations. Most Christians look at politics and democracy as unrelated with their experience of the Church herself, which abides both in history and in the Kingdom, the eschaton. Today, the commercialization of politics—its submission to the laws of publicity and the brainwashing of the masses—has literally abolished the "representative" parliamentary system. So, why bother with politics when every citizen of so-called developed societies has a direct everyday experience of the rapid decline and alienation of the fundamental aspects of modernity?

In the Orthodox milieu, Christos Yannaras has highlighted the conception of the social and political event that is borne by the Orthodox ecclesiastical tradition, which entails a personalistic (assumes an infinite value of the human person as opposed to Western utilitarian individualism) and relational approach. Fr Radovan Bigovic follows this approach. In this book, the reader will find a faithful engagement with the liturgical and patristic traditions, with contemporary thinkers, Orthodox and non-Orthodox, all in conversation with political science and philosophy. As an excellent Orthodox theologian and a proponent of dialogue, rooted in the catholic (holistic) being of the Orthodox Church and of his Serbian people, Fr Radovan offers a methodology that encompasses the above-mentioned concerns and quests.