Bishop Hrizostom (Stolić)

After the death of Bishop Grigorije the Western Diocese was administered by Irinej, Bishop of Niš, from October 1985 until May 1986, and by Sava, Bishop of Šumadija, from July 1986 until May 1988.

The Holy Bishops’ Assembly at the regular session in May 1988 elected Archimandrite Hrizostom Stolić as a Bishop of the Western Diocese.

Bishop Hrizostom was born in 1939 in Ruma where he graduated from elementary school and middle school (High School). After High School he went to the Dečani Monastery where he took monastic vows. He was ordained to hierodeacon and hieromonk by Rt. Rev. Pavle, Bishop of Ras-Prizren. Soon afterwards he went to America to be at the service to his Church and people. He studied at the Seminary in the Russian Holy Trinity Monastery in Jordanville. He then came to Chicago and helped the pastor at Holy Resurrection Church with his duties. He was appointed temporary pastor of St. George Church in East Chicago, Indiana in 1967. He remained there until 1969. For two years he established firm spiritual roots in the community. He felt a higher calling and responded to it. In 1969 he went to the Hilandar Monastery at Mount Athos in Greece, where he remained for nineteen years. There he was elevated to the rank of archimandrite by the Patriarch of Constantinople, His Holiness Demitrius the First. At one time he was elected a Dean of Mount Athos. He was a librarian in the Hilandar Monastery. Along with the spiritual growth he advanced his intellectual dimensions. He published the Lives of the Holy Fathers in two volumes and the Liturgy of St. Apostle James, which he translated into the Serbian language.

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Sailors of the Sky

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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