A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Svetozaru Cvetkoviću nagrada kritike za najboljeg glumca na festivalu u Hjustonu

Glumac Svetozar Cvetković dobio nagradu kritike za najboljeg glumca na 50. filmskom festivalu Vorldfest (Worldfest) u Hjustonu.

Cvetković je priznanje dobio za ulogu u filmu "You Go To My Head", koji je režirao belgijski producent i reditelj Dimitri De Klerk, saopštila je produkcijska kuća Testament films.

- Ovo je lepa vest. Pogotovo što priznanje dolazi od ljudi koji vas ne poznaju, ili vas čak možda nisu nikad ni gledali - rekao je tim povodom Cvetković koji nije bio u mogućnosti da prisustvuje dodeli nagrada.

On je dodao da se oseća "pomalo nestvarno, i istovremeno ponosno", kada se pogleda ko su ovogodišnji laureati.

Medju glumcima, ovogodišnji dobitnici nagrada u zvaničnoj konkurenciji su Natali Portman, Džef Bridžis i Kejsi Aflek.

"You Go To My Head" je nezavisna, niskobudžetna francusko-nemačko-američka koprodukcija, snimana 2015. godine sa vrlo malom ekipom, u Marakešu i pustinjskim predelima Maroka. Reditelj De Klerk je dobio nagrade za režiju i film u celini.

Dizajner tona bio je Novica Jankov iz Srbije. Očekuje se da film uskoro bude prikazan i u Beogradu, uz prisustvo reditelja.

Izvor: Blic


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Vuk Kulenović

Vuk Kulenovic (born 1946) is a contemporary composer and teacher based in Boston, Massachusetts. He teaches counterpoint, orchestration and directed study at Berklee College of Music. He actively composes and has commissions from around the world. His influences are wide-tanging, including jazz, Indian ragas, Balkan folk music, rock and many other contemporary styles. He has written over 100 works for symphony orchestra, solo instruments, chamber ensembles, choral and vocal pieces, ballet, and scores for film and stage music.

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On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.