A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

American and Serbian Anthems Open the Concert in Cleveland

The Belgrade Philharmonic Orchestra and the Ohio National Guard’s Army Band together performed the American and Serbian national anthems at the beginning of the concert at Cleveland’s Severance Hall. As a symbol of American-Serbian friendship, the musicians joined forces and played the two anthems in ceremonious fashion.

The Belgrade-based orchestra brought two programmes on the U.S tour and Cleveland got Khachaturian’s Masquerade and The Legend of Ohrid written by Stevan Hristić, a founder and the first Chief Conductor of the orchestra. Sibelius’ Symphony No. 2 is common to both programmes. The special performance, which the audience rewarded with ecstatic applause, was augmented by the acoustics of this dazzling concert hall, for which it is well-known around the world.

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Credits for the fact that the Belgrade Philharmonic included Cleveland in its U.S. tour go to Alex Machaskee, the Honorary Consul of the Republic of Serbia.

“A few years ago when I met Ivan Tasovac, who was the Director of the Belgrade Philharmonic at the time, I told him that the orchestra had to come to Cleveland and visit Severance Hall, one of the world’s most wonderful concert venues. The Belgrade Philharmonic is, indeed, a marvellous ensemble with 96 exquisite musicians. I fully understand why the European reviews are so positive – it is finally the time for them to show America what they are made of. Tonight’s special treat was Stevan Hristić’s The Legend of Ohrid, since the audience does not often have a chance to hear this suite in its entirety.”

“I am delighted to be here with the Belgrade Philharmonic. Since this orchestra is so exceptional, it was a unique opportunity for the Ohio National Guard’s musicians to share the stage with them. This is a significant event not only for the city of Cleveland, but also for Ohio, since it will contribute to the development of cooperation between the Ohio National Guard and Serbia”, said Major General Deborah Ashenhurst.

The magnificent Severance Hall was built in the 1930s with great support from philanthropists, despite the Great Depression that devastated America at the time. The acoustics of the Cleveland Symphony Orchestra’s home is certainly an asset which the Belgrade Philharmonic aspires to have in the future.

Source: Belgrade Philharmonic Orchestra


SA

 

People Directory

Steve Tesich

Steve Tesich was an American Oscar-winning (1980) screenwriter, playwright and novelist.

Tesich was born on September 29th, 1942 as Stojan Tešić in Uzice, Yugoslavia (now Republic of Serbia) and emigrated to the USA with his family when he was 14 years old. They settled in East Chicago, Indiana, and Tesich later graduated from Indiana University in 1965, where he was a member of Phi Kappa Psi Fraternity..

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0