A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

The Christian Heritage of Kosovo and Metohija was presented in Paris

The book on Christian Heritage of Kosovo and Metohija was presented in Paris on Monday, June 29, 2015, at 19h at l'Auditorium Jean XXIII de la Mutuelle Saint-Christophe, 277 rue Saint-Jacques.

Bishop Maxim of the Western American Diocese spoke about the theological and historical significance of the book. Raphaëlle Ziadé, a specialist of the byzantine art, from Réunion des Musées nationaux, explained some of the most prominent aspects of the Serbia's medieval visual art in Kosovo and Metohija. She emphasized particulary the a new humanism which characterizes these works, and it was this style that served as a basis for what Gabriel Millet termed “the Byzantine Renaissance.” Jean-François Colosimo, director of Editions du Cerf offered a wider perspective on the position of Christians in the Middle East.

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The artistic and religious musings on Kosovo's medieval art are compelling, yet, as in Colosimo equally remarked, they also posess an academic value and critical sharpness of description. Jacques Hogard, colonel and former commander of the special forces in Kosovo gave a sober and eye-opening assessment of his experience and the fiasco of NATO mission in Kosovo and Metohija and the true nature of the Western involvement in Serbia's southern province. Jean-Christophe Buisson, chief of the cultural redaction of Figaro Magazine emphasized that this book is one of the most extraordinary documents of the history of the Serbian destiny in Kosovo. He also quited from the book of Hieromoin Athanase, “Dossier Kosovo”. Dr. Ljubomir Mihailovic, moderator of the event, explicitly invoked the notion of a universal prominence of Serbia’s heritage in Kosovo and Metohija. 

There are some claims that this monograph represents a monumental step forward in illuminating the Christian heritage of Kosovo and it will have profound impact on our understanding of the future of Europe. The publication should infiltrate into culture and revivify among intellectuals a feeling for the aesthetic heart of the Serbian people in Kosovo and Metohija.

The event was organized by the Serbian Western Diocese for Europe in cooperation with Mutuelle d’Assurance Saint Christophe et Orthodoxie.com.



SA

 

People Directory

Steve Tesich

Steve Tesich was an American Oscar-winning (1980) screenwriter, playwright and novelist.

Tesich was born on September 29th, 1942 as Stojan Tešić in Uzice, Yugoslavia (now Republic of Serbia) and emigrated to the USA with his family when he was 14 years old. They settled in East Chicago, Indiana, and Tesich later graduated from Indiana University in 1965, where he was a member of Phi Kappa Psi Fraternity..

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0