A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Djordje Nesic

Djordje Stevan Nesic’s pianism has been described as ‘artful‘, ‘assertive‘, ‘sensitive‘ and ‘quietly virtuosic‘, and his career has been highlighted by recital, concerto, chamber, and collaborative performances. During the current season, Mr. Nesic performed live on A Prairie Home Companion with Garrison Keillor, recorded seven newly commissioned American art songs for the Opera America Songbook project, performed in both concert and recital at Greenwich Music Festival’s All Things Stravinsky season; Carnegie Hall in New York City, the Ohana Arts Festival in Honolulu, Cincinnati’s Taft Museum and the Underground Railroad Museum Freedom Center, as well as at the University of Wisconsin and the Next Act Theater in Milwaukee. He was also featured in the PBS broadcast of “This Little Light of Mine” with soprano Adrienne Danrich, which was awarded a midwest Emmy Award in 2011. Among the pianist’s recent Manhattan performances are those at Lincoln Center in its “Meet the Artist” series; Carnegie’s Weill and Zankel halls; the United Nations General Assembly Hall; the River to River Festival; Tribeca’s Ico Gallery; the Trinity Church Wall Street.

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The 2010-2011 season included appearances at University of Richmond; the Mann Performing Arts Center in Philadelphia; the Ravinia Festival’s Rising Star series; and the “Sing for Hope Gala” presented at Lincoln Center. He returned to the Greenwich Music Festival to prepare and perform the critically acclaimed production of Poulenc’s La Voix Humaine.

In his capacity as an accomplished vocal coach, Djordje Nesic spent the summer of 2012 preparing Stravinsky’s A Soldier’s Tale at the Greenwich Music Festival, and Janacek’s Jenufa at the Bohemian National Hall in New York City. During Greenwich Music Festival’s 2009-2010 season, Mr. Nesic served as vocal coach and performed as pianist for Viktor Ullmann’s Der Kaiser von Atlantis. A film of the production premiered at the 2010 Westchester Jewish Film Festival. That same season, he prepared and performed the operas Dinner and Delusion by Michael Sahl and Nancy Manocherian and Clarence and Anita by Benjamin Yarmolinsky at the Cell Theater in New York in collaboration with the Center for Contemporary Opera. He spent summers of 2003-2007 at Glimmerglass Opera, 2000-2002 at the Aspen Opera Theater Center, and 1998-1999 at the Tanglewood Festival.

Earlier, Mr. Nesic appeared with soprano Hanan Alattar at Carnegie Hall in a recital sponsored by the Marilyn Horne Foundation, and performed with soprano Monica Yunus at an honorary event for her father Professor Mohammad Yunus—winner of the 2006 Nobel Peace Prize. The pianist’s schedule included participation as a panelist for Opera America’s “Who’s in Charge of Rehearsal?”, and a Professional Workshop at Carnegie Hall with bass-baritone Daniel Gross, under the leadership of the famed German singer Thomas Quasthoff.

Mr. Nesic coached Audra McDonald in preparation for her Houston Grand Opera debut in Michael John La Chiusa’s Send (Who are You? I Love You) and Poulenc’s The Human Voice.

A Slavic-diction specialist, Djordje Nesic is in high demand as an opera coach, as well as a vocal-recital collaborator. Professional affiliations include those with The Juilliard School, the University of Texas at San Antonio, The University of Wisconsin Milwaukee, the Ash Lawn (Charlottesville, Va.) Opera Festival, and California State University, Long Beach. With the Glimmerglass Opera—both in New York City and in the Cooperstown area—Mr. Nesic has been featured in productions sponsored and organized by the company. Under the auspices of Glimmerglass, he has performed as a pianist and served as a panelist in live radio broadcasts from the state of New York’s NPR affiliates WAMC (Albany) and WXIX (Rochester). Television appearances have included live broadcasts from both the “World Food Prize” ceremony and the city of New York for Japan’s FUJI station.

A favorite of festival audiences, Mr. Nesic has performed at the Tanglewood, Cleveland Art Song, Lake Luzerne (NY) Chamber, and Aspen Music Festivals. The list of conductors with whom he has worked features Julius Rudel, James Conlon, Stewart Robertson, David Angus, Reinhardt DeLeeuw, Gerald Steichen, and Robert Spano.

Djordje Stevan Nesic, a roster member of the Swiss Global Artistic Foundation, currently lives in New York City where he holds the position of artist-in-residence at the Broadway Presbyterian Church.

From Official Web-Site


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Robert J. Pavich

Since 1975, 100% of Bob’s practice has been dedicated to litigation at both the trial and appellate levels. His tort law practice, including medical malpractice, product liability and wrongful death cases, has grown over the past 10 years to include tort victims of human rights violations throughout the world- encompassing mass tort and class action litigation.

Bob’s international experience includes work as lead trial counsel at the Hague War Crimes Tribunal from 2001 through 2005. From 2007 through 2010, he was lead defense counsel in five federal deportation prosecutions in Florida and Illinois, all of which resulted in acquittals. During this time, he continued his active personal injury practice, advocating on behalf of those injured through the negligence of others.

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Jesus Christ Is The Same Yesterday Today And Unto the Ages

In this latest and, in every respect, meaningful study, Bishop Athanasius, in the manner of the Holy Fathers, and firmly relying upon the Apostles John and Paul, argues that the Old Testament name of God, “YHWH,” a revealed to Moses at Sinai, was translated by both Apostles (both being Hebrews) into the language of the New Testament in a completely original and articulate manner.  In this sense, they do not follow the Septuagint, in which the name, “YHWH,” appears together with the phrase “the one who is”, a word which is, in a certain sense, a philosophical-ontological translation (that term would undoubtedly become significant for the conversion of the Greeks in the Gospels).  The two Apostles, rather, translate this in a providential, historical-eschatological, i.e. in a specifically Christological sense.  Thus, John carries the word “YHWH” over with “the One Who Is, Who was and Who is to Come” (Rev. 1:8 & 22…), while for Paul “Jesus Christ is the Same Yesterday, Today and Unto the Ages” (Heb. 13:8).