A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Aleksandra Denda

Aleksandra Denda is an internationally recognized, New York-based music artist.

Over the span of years, she’s been performing and recording throughout USA, Europe, Asia and South America, as a leader and as featured artist in the wide array of musical genres, spanning from Soul to World Music, Brazilian, R&B, and Jazz.

Some of these projects include performances with American Idol's Michael Lynche (aka Big Mike) as his background vocalist, recording with the flamenco star Jose Merce on the Latin Grammy nominated album Mi Unica Llave, and co-founding ROSA the international traditional Serbian all-female a cappella group endorsed by NY Folklore Society.

She also had the pleasure of working with world acclaimed musicians-Patrice Rushen, Bilal, Javier Limon, Marko Djordjevic & SVETI, Women of the World, Joey Blake, Christiane Karam and Albino Mbie.
​Aleksandra spent a Summer in India in 2015, teaching as Artist in Residence at New Delhi's Global Music Institute, as well as performing with some of India's finest fusion musicians with project PATHWAYS that she formed with pianist Aman Mahajan.

Swimming in many sonic oceans led to the makings of her debut EP DREAMER, a genre-bending, soulful collection of her original music, released in March 2016.

In 2016 Aleksandra and her group were a part of Global celebration of International Jazz Day at Dupont Circle, in Washington DC, sharing the stage with jazz luminaries Dee Dee Bridgewater and Herbie Hancock. The same year, she performed at another IDJ event at UN headquarters in New York, alongside Brazilian guitarist Sergio Pereira.

She is a Director of the First International Contemporary Music Competition for Young Musicians in the Balkans - The Best Musical Mind, organized by Multikultivator cultural service and supported by Berklee College of Music and Souza Lima Conservatory.

In 2017 she joined a new international project - Jan Kus and The SlavoRican Assembly, an eclectic group that combines musical traditions from the Balkans and Slavic folk songs with the musical traditions of the Caribbean, synthesizing them seamlessly in a never-before-heard, attractive, heartfelt and powerful rhythmical mix!

Source: Official Web-Site


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People Directory

Milan Mišić

Milan Mišić (b. 1949, Belgrade) is U.S. correspondent of Politika, the leading Serbian newspaper published from Belgrade since 1904. Before assuming this post (in September 2009.), he was Foreign Editor of Politika, Foreign Affairs Commentator and columnist

He graduated journalism at Belgrade University’s Faculty for Political Sciences. During his journalistic carrier he was Politika’s correspondent from India (1978-82 and 1986-89) and Japan (1989-92). He also (from 1977 till 2001) worked as Executive Director of Večernje Novosti Newspaper Company, Chief Editor of monthly Magazine Nadanova and Chief Editor of daily newspaper Glas Javnosti.

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Publishing

Notes On Ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.