A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Bojan Bazelli

Bojan Bazelli is a Montenegrin cinematographer and music video director born in Herceg Novi, Montenegro. His credits include the films The Ring, Mr. & Mrs. Smith, and director Adam Shankman's Hairspray, as well as Mariah Carey's music video "Vision of Love". Other feature credits include The Rapture, Deep Cover, King of New York, Kalifornia, and Dangerous Beauty.

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Bazelli studied at Famu Film School in Prague. Impressed with one of Bazelli’s student films, director Abel Ferrara hired Bazelli to shoot China Girl in New York City. He subsequently filmed King of New York and Body Snatchers with Ferrara as well.

Bazelli received an Independent Spirit Awards in 1990 for his work on King of New York. He was honored for Best Cinematography in both 1996 and 1998 at the American Independent Commercial Producers (AICP), one of the few cinematographers to have received this honor twice. Bazelli also received a Gold Clio for Best Cinematography in 1998, and the film Kalifornia was awarded Best Cinematography at the Montreal Film Festival.


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People Directory

Jelena Vidovic

Jelena Vidovic was born on February 7th, 1997. She came to the United States at the age of 5 with her parents and started playing tennis at the age of 9. With six short months of tennis experience, she entered her first tournament and placed first in both singles and doubles. When she was in high school, she did the Running Start program. Freshman and sophomore year, she took Advanced Placement classes at her high school and her junior and senior year; she took classes at a community college. This allowed her to earn her high school diploma and Associate’s Degree at the same time. She continued playing tennis throughout high school as the number 1 player all four years and she had opportunity to play Division I tennis. Being an excellent student, she decided to play at a private Division III university to focus on her academics. Studying at a private university is extremely rigorous, but she was still able to graduate in 3 years at a 4-year Public Health program​. She lives in Vancouver, Oregon with her parents, Desimir and Duja​.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0