A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Bojan Bazelli

Bojan Bazelli is a Montenegrin cinematographer and music video director born in Herceg Novi, Montenegro. His credits include the films The Ring, Mr. & Mrs. Smith, and director Adam Shankman's Hairspray, as well as Mariah Carey's music video "Vision of Love". Other feature credits include The Rapture, Deep Cover, King of New York, Kalifornia, and Dangerous Beauty.

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Bazelli studied at Famu Film School in Prague. Impressed with one of Bazelli’s student films, director Abel Ferrara hired Bazelli to shoot China Girl in New York City. He subsequently filmed King of New York and Body Snatchers with Ferrara as well.

Bazelli received an Independent Spirit Awards in 1990 for his work on King of New York. He was honored for Best Cinematography in both 1996 and 1998 at the American Independent Commercial Producers (AICP), one of the few cinematographers to have received this honor twice. Bazelli also received a Gold Clio for Best Cinematography in 1998, and the film Kalifornia was awarded Best Cinematography at the Montreal Film Festival.


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People Directory

Bishop Georgije (Djokić)

(1984–2015)

Bishop Georgije, baptized Djordje Djokić, was born on May 6, 1949 in the village of Crnjelovo, Bjeljina, of parents Krsto and Krunija. After elementary school he resided in the monasteries Tavna, Ozren and Kosijerevo. He completed monastic school in the Monastery of Transfiguration 1963/1964. From Savina Monastery he went to the Studenica Monastery and remained until 1966 when he went to School at the Ostrog Monastery. After finishing Monastic School he was tonsured into monastic rank at the Monastery Ozren on February 11, 1971 and was given the monastic name Georgije. He was ordained hierodeacon on February 15, 1971. In June 1971, he was appointed spiritual father of Tavna Monastery by Bishop Longin. From there he graduated from the Seminary in Sremski Karlovci and the Faculty of Orthodox Theology in Belgrade. While in England, Fr. Georgije was appointed by Bishop Lavrentije to serve the parish of Sts. Peter and Paul in Derby, England. While there he was elected Bishop for the Canadian Diocese, on May 16, 1984. On June 8, 1984, he was consecrated a bishop by Patriarch German and installed in 1984 at the St. Nicholas Cathedral in Hamilton.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0