A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Vasa Mihich

A senior Professor of Design at the University of California, Los Angeles, Vasa is an innovative, internationally known sculptor whose creative work explores the three dimensional interactions of light and color. With an advanced understanding of optical complexities, Vasa has become, in the words of Henry Seldis, former art critic of The Los Angeles Times, "the most sensuous and sensational colorist of the southern California artists working in plastic."

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Born in Yugoslavia in 1933, Vasa Mihich, an academically trained painter, became a member of the faculty at the University of Belgrade in 1956. During a visit to Paris that same year, Vasa became aware of the growing importance of American art, and four years later he immigrated to the United States. Influenced by the major changes taking place in art in the United States and especially in Los Angeles, Vasa began working in three-dimensional painted constructions in 1964. This work was first shown in January, 1966 in the Feigen-Palmer Gallery in Los Angeles and that same year was included in the seminal exhibit American Sculptures of the Sixties at the Los Angeles County Art Museum and other museum and university exhibits. 1967 was an important year for Vasa. He began including plastic in his work. A painter interested in placing color in open space, he began to use clear plastic as a structural support for different planes of color. Expecting to explore this medium for a few years, Vasa, to his surprise, continues some thirty years later to discover new possibilities. In 1967 he also returned to teaching, joining the faculty at UCLA where he continues to teach.

Except for a brief stay in New York, Vasa has lived in California since his arrival in the United States. Here in his comprehensive studio, located in the heart of Los Angeles and designed and built to accommodate the machinery, staff and advanced technology required for his work, Vasa creates and makes all of his art. And now, in response to the new information age the artist has designated several works for presentation and commission on the internet.


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Branka Katić

Branka Katić (Serbian Cyrillic: Бранка Катић; born 20 January 1970) is a Serbian actress known for appearing in the movies Black Cat, White Cat and Public Enemies, and in the TV series Big Love.

Katić debuted in movie Nije lako sa muškarcima when she was 14 years old. Branka was a student of the Academy of Dramatic Art, and received instruction from actor Rade Šerbedžija.

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Publishing

On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.