A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

James Scully

James Scully is the author of 10 books of poetry, including Donatello’s Version (Curbstone Press/Northwestern University Press, 2007), four book-length translations, the seminal essay collection Line Break: Poetry as Social Practice (Curbstone Press/ Northwestern University Press, 1988/2005), and Vagabond Flags: Serbia & Kosovo: Journal, Scrapbook & Notes (Azul Editions, 2009). The founding editor of Art on the Line series (Curbstone Press, 1981-1986), he has been a key figure in the movement to radicalize the theory and practice of American poetry—in how it is lived as well as in how it is written.

Born in 1937 in New Haven, CT, Scully lives in Vermont with his wife, Arlene. They’ve been married since 1960 and have a son, John, and a daughter, Deirdre. His awards include a National Defense Fellowship 1959-1962; an Ingram Merrill Foundation Fellowship (Rome, Italy 1962-63); the Lamont Poetry Award 1967 for The Marches; the Jenny Taine Memorial Award 1971 for translation; a Guggenheim Fellowship (Santiago, Chile 1973-74); National Endowment for the Arts Fellowships 1976-77 and 1990; the Islands & Continents Translation Award 1980; and the Bookbuilders of Boston Award 1983 for book cover design.

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VAGABOND FLAGS was translated into Serbian and published in Belgrade in September, 2008. Scully characterizes it as "an accidental book that started out as a journal for a few friends who were curious about that part of the world. From there it evolved, with the addition of Balkans historical information, into a scrapbook of relevant documentary materials pertaining to the NATO war on the former Yugoslavia. It was then translated and published at the initiative of the Writers Association of Serbia."

Source: The Complete Plays of Sophocles


SA

 

People Directory

Sava Vemić

Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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Publishing

History, Truth, Holiness

by Bishop Maxim Vasiljevic

Bishop Maxim’s first book, described by Fr. John Breck as an “exceptionally important collection of essays” contributing to both the theology of being and also contemporary theological questions, is now available! Christos Yannaras describes Bishop Maxim as “a theologian who illumines” and Fr. John McGuckin identifies his work as “deeply biblical and patristic, academically learned yet spiritually rich.” The first half of the book collects papers emphasizing theological ontology and epistemology, reminding us how both the mystery of the Holy Trinity and that of the Incarnation demand that we rethink every philosophical supposition; it includes chapters on holiness as otherness, truth and history, and the biochemistry of freedom. The second half of the book features lectures dedicated to the theological questions posed by modern theology, including studies of Orthodox and Roman Catholic ecclesiology, liturgics, and the theology of icons.