A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

In the Mirror

A Collection of Iconographic Essays and Illustrations

By Fr. Stamatis Skliris

The Serbian Orthodox Diocese of Western America is pleased to announce the publication of an outstanding book by Fr. Stamatis Skliris, a disciple of the great twentieth-century theologians Archimandrite Justin Popovich and Bishop Athanasius Yevtich. Fr. Stamatis is a parish priest in Athens and is renowned as an iconographer and as a writer and lecturer on Byzantine iconography.

In the Mirror is the second of a planned collection of works of contemporary theologians. It is an anthology of Fr. Stamatis’ articles which have appeared in Greek and Serbian. In it, he combines adherence to the teachings of the Church Fathers with a vibrant expression of faith through the experience of Christ in the Church. The book is adorned with more than 200 striking icons and illustrations by Fr. Stamatis.

Fr. Stamatis’ contribution to modern art (both Church art, and art in general) through his painting and iconography is already a generally established fact. Focusing on themes central to patristic Christology and Anthropology, the book reveals the ultimate purpose of the icon. Fr. Stamatis speaks of how, through the reality of the Incarnation of the Invisible God, we have been given the possibility of Christian iconography, iconology and icon veneration.

Upon observing Fr. Stamatis’ artwork, we see that he manages to link the graphic and the chromatic elements harmoniously and with rare originality, thus anticipating with his drawing and coloring a wondrous world, God’s world of love and light. With regard to the graphic element, by the mobility and expressiveness of his images, with the open, childlike looks in their eyes—through his excellent knowledge of anatomy (being a medical doctor) and of psychology (being a priest and a spiritual father)—Fr. Stamatis overcomes the immobility and inertia of fallen human nature through a movement of reaching out, which is the feat of loving and of an eager progress toward Christ. As far as coloration is concerned, by a combination of color (warm-cold, complementary), by a gradation of tones, and by a multitude of vibrating shades brought on by the brush—employing the best solutions from the history of the art of painting (Byzantine, impressionist, cubistic, abstract, surrealist, etc.)—and in doing all this, illuminating everything by light, Fr. Stamatis anticipates the coloration of Paradise, the coloration of “a new Heaven and a new Earth” (Rev. 21:1). In addition to this, he also offers a thematic contribution: he does not overlook emphasizing the historic, tragic element (agony, suffering, wounds, and pain) in the images of saints and martyrs depicted in his works, and especially in his most recent creations, which are, nevertheless, illuminated by the Light which overcomes the world and history.

Contents:

  1. A Questioning Gaze by Metropolitan John (Zizioulas) of Pergamon
  2. Aesthetic Light and Ontological Light in the Art of Painting
  3. The Pedagogical Potential of Byzantine Art
  4. From Portrait to Icon
  5. The Person of Christ and the Style of Icons
  6. The Icons of Fr. Stamatis Skliris by Metropolitan John (Zizioulas) of Pergamon
  7. An Interpretation of Hellenism Based on the Conduction of Light
  8. Shading and Psychology in the Wall Paintings of Saint Nikolaos Orphanos
  9. Andrei Rublev—The Saint of Russian Iconography
  10. The Icon and the Ultimate State of Existence by Bishop Maxim (Vasiljevic) of the Serbian Orthodox Diocese of Western America

SA

 

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Borko D. Jovanovic

Associate Professor of Preventive Medicine (Biostatistics)

Description of Interests

I am a consulting biostatistician, with focus on experimental design and analysis of data in clinical trials, basic science and in epidemiology. Some of my other interests included model selection, prediction models, gene arrays and history of mathematics.

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Publishing

Христос – Нова Пасха – Божанствена Литургија

Serbian Edition, author Bishop Athanasius Yevtich (издање на српском језику, аутор епископ Атанасије Јевтић)

Период двадесетог века представљао је врло комплексно раздобље везано за развој литургијско-богословске мисли у нашој помесној Цркви. Осећајући насушну еклисијалну и пастирску потребу да поменуту мисао надгради и истовремено је учини приступачнијом народу Божијем, епископ Атанасије Јевтић се одлучио да понуди тротомно дело под насловом: Христос – Нова Пасха – Божанствена Литургија. Иако се објављивање трећег тома тек очекује, сматрамо да богословској и читалачкој пажњи треба представити два тома који су већ изашли.

Сложени назив овог епохалног издања, које може бити препознато као „српска литургијска стромата двадесет и првог века“, аутор је начинио на основу одељка из Прве Посланице Коринћанима светог апостола Павла: Јер се Пасха наша Христос жртвова за нас (1Кор 5, 7). Дело се састоји из два тома и намењено је, према речима епископа Атанасија, „богобојажљивим и христочежњивим љубитељима Божанских Тајни, усрдним учесницима Свете Литургије и причесницима Богочовечанских Светиња“. Наиме, у њему су сабрани текстови о Светој и Божанственој Евхаристији од најранијих времена Цркве Христове (првог века) све до савременог доба, а сâм циљ јесте „раскривање литургијских, еклисиолошких, космичких и есхатолошких димензија Светајне Христа и Његове Цркве“. Највећи део сабраних литургијско-светоотачких текстова се по први пут појављује на српском језику, благодарећи преводилачком и прегалачком труду епископа Атанасија. Уз то, веома су драгоцени његови оригинални коментари. Треба истаћи да су оба тома штампана са тврдим корицама у штампарији Интерклима Графика у Врњачкој Бањи.

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