A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

In the Mirror

A Collection of Iconographic Essays and Illustrations

By Fr. Stamatis Skliris

The Serbian Orthodox Diocese of Western America is pleased to announce the publication of an outstanding book by Fr. Stamatis Skliris, a disciple of the great twentieth-century theologians Archimandrite Justin Popovich and Bishop Athanasius Yevtich. Fr. Stamatis is a parish priest in Athens and is renowned as an iconographer and as a writer and lecturer on Byzantine iconography.

In the Mirror is the second of a planned collection of works of contemporary theologians. It is an anthology of Fr. Stamatis’ articles which have appeared in Greek and Serbian. In it, he combines adherence to the teachings of the Church Fathers with a vibrant expression of faith through the experience of Christ in the Church. The book is adorned with more than 200 striking icons and illustrations by Fr. Stamatis.

Fr. Stamatis’ contribution to modern art (both Church art, and art in general) through his painting and iconography is already a generally established fact. Focusing on themes central to patristic Christology and Anthropology, the book reveals the ultimate purpose of the icon. Fr. Stamatis speaks of how, through the reality of the Incarnation of the Invisible God, we have been given the possibility of Christian iconography, iconology and icon veneration.

Upon observing Fr. Stamatis’ artwork, we see that he manages to link the graphic and the chromatic elements harmoniously and with rare originality, thus anticipating with his drawing and coloring a wondrous world, God’s world of love and light. With regard to the graphic element, by the mobility and expressiveness of his images, with the open, childlike looks in their eyes—through his excellent knowledge of anatomy (being a medical doctor) and of psychology (being a priest and a spiritual father)—Fr. Stamatis overcomes the immobility and inertia of fallen human nature through a movement of reaching out, which is the feat of loving and of an eager progress toward Christ. As far as coloration is concerned, by a combination of color (warm-cold, complementary), by a gradation of tones, and by a multitude of vibrating shades brought on by the brush—employing the best solutions from the history of the art of painting (Byzantine, impressionist, cubistic, abstract, surrealist, etc.)—and in doing all this, illuminating everything by light, Fr. Stamatis anticipates the coloration of Paradise, the coloration of “a new Heaven and a new Earth” (Rev. 21:1). In addition to this, he also offers a thematic contribution: he does not overlook emphasizing the historic, tragic element (agony, suffering, wounds, and pain) in the images of saints and martyrs depicted in his works, and especially in his most recent creations, which are, nevertheless, illuminated by the Light which overcomes the world and history.

Contents:

  1. A Questioning Gaze by Metropolitan John (Zizioulas) of Pergamon
  2. Aesthetic Light and Ontological Light in the Art of Painting
  3. The Pedagogical Potential of Byzantine Art
  4. From Portrait to Icon
  5. The Person of Christ and the Style of Icons
  6. The Icons of Fr. Stamatis Skliris by Metropolitan John (Zizioulas) of Pergamon
  7. An Interpretation of Hellenism Based on the Conduction of Light
  8. Shading and Psychology in the Wall Paintings of Saint Nikolaos Orphanos
  9. Andrei Rublev—The Saint of Russian Iconography
  10. The Icon and the Ultimate State of Existence by Bishop Maxim (Vasiljevic) of the Serbian Orthodox Diocese of Western America

SA

 

People Directory

Danilo Marić

Danilo Marić was born on August 26, 1938, in Mostar (Kosor), Bosnia and Hercegovina, Europe. Kosor is cetrically village in the Mostar valley – Bisce polje, which has the most rivers in the world: Neretva, Radobolja, Jasenica, Posrt, Buna and Bunica. He was fascinated by these rivers from childhood on, and these waters influenced the development of his character and his literary works.

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Publishing

Holy Emperor Constantine and the Edict of Milan

by Bishop Athanasius (Yevtich)

In 2013 Christian world celebrates 1700 years since the day when the Providence of God spoke through the holy Emperor Constantine and freedom was given to the Christian faith. Commemorating the 1700 years since the Edict of Milan of 313, Sebastian Press of the Western American Diocese of the Serbian Orthodox Church published a book by Bishop Athanasius Yevtich, Holy Emperor Constantine and the Edict of Milan. The book has 72 pages and was translated by Popadija Aleksandra Petrovich. This excellent overview of the historical circumstances that lead to the conversion of the first Christian emperor and to the publication of a document that was called "Edict of Milan", was originally published in Serbian by the Brotherhood of St. Simeon the Myrrh-gusher, Vrnjci 2013. “The Edict of Milan” is calling on civil authorities everywhere to respect the right of believers to worship freely and to express their faith publicly.

The publication of this beautiful pocket-size, full-color, English-language book, has been compiled and designed by Bishop Athanasius Yevtich, a disciple of the great twentieth-century theologian Archimandrite Justin Popovich. Bishop Athanasius' thought combines adherence to the teachings of the Church Fathers with a vibrant faith, knowledge of history, and a profound experience of Christ in the Church.

In the conclusion of the book, the author states:"The era of St. Constantine and his mother St. Helena, marks the beginning of what history refers to as Roman, Christian Empire, which was named Byzantium only in recent times in the West. In fact, this was the conception of a Christian Europe. Christian Byzantine culture had a critical effect on Europe; Europe was its heir, and then consciously forgot it. Europe inherited many Byzantine treasures, but unfortunately, also robbed and plundered many others for its own treasuries and museums – not only during the Crusades, but during colonial rule in the Byzantine lands as well. We, the Orthodox Slavs, received a great heritage of the Orthodox Christian East from Byzantium. Primarily, Christ’s Gospel, His faith and His Church, and then, among other things, the Cyrillic alphabet, too."