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The Textiles of the Christian Orthodox Church

A Brief History For Young Readers

by Fionn Zarubica

The clothes we wear today are very different from the clothes we wore 2000 years ago; but, in the Christian Orthodox church, the clothes the priests wear are almost exactly the same. These clothes are called vestments. The word vestment comes from the Latin word vestis, which means garment.

During the time of the Apostles, when the Christian church was being established, there was no difference between the clothes worn for everyday life and the clothes worn for celebration of the sacraments. This was not only because formal vestments had not been established, but also because during that time, Christians were being persecuted and did not wish to draw attention to themselves.

In the fourth century, Constantine the Great fought and won a major battle at the Milvian Bridge, became the first Christian Roman Emperor and established Constantinople, the “New Rome” at Byzantium. Under his rule Christians were able to practice their faith openly, and the church fathers began to call for a formal manner of dress for clergy in service to the church.

What we consider today as traditional clergy dress is based on Roman dress of the 3rd and 4th century, although some time elapsed before the everyday garment of that time came to be regarded without any doubt as a liturgical vestment, worn specially for the celebration of the liturgy. Over time the dress of ordinary life changed, and there emerged a noticeable difference between the dress of the clergy and the people. Monastic orders were different from them both.

When Justinian I became Emperor, in 527 CE, liturgical vestments, particularly those of the bishops, began to imitate the dress of the Emperor’s court. Silks were used to make the finest vestments. Until that time, silk was imported from Sogdiana in Central Asia and the Sassanian Empire in Persia. But Persia was a chief enemy of the Byzantine Empire, and supplies of silk were always in peril. Because silk was such a valuable article of trade, this was of great concern to Justinian. It is said that one day two monks came to Justinian by way of India, and offered to provide him with the eggs of the silkworm. They also offered to teach his people to produce their own silk, a process called sericulture. Seeing that he would never have to be dependent on his enemies the Persians again, Justinian accepted the Monks’ offer and thus silk production was established in the Byzantine Empire. The Byzantine Empire became famous and wealthy because of its silks, and the churches were well supplied with materials for their vestments.

The Byzantines were not only famous for their silks, but for their embroideries as well. They were most renowned for their technique with gold embroidery, which they preferred over colored thread embroidery. It is said that they were masters at releasing the fire from within the gold when lit by church candles. Thanks to the support of Justinian I, Constantinople became a center for the textile arts for the next 900 years.

It is not only in the vestments that we see special textiles for the church. Woven and decorated textiles were highly prized. Silks with Christian scenes were in great demand as wall hangings, coverings for the holy table, holy relics, and other sacred elements; as well as the veil used to decorate the sanctuary and the curtain for the door of the iconostasis, which was used to shield the altar from public gaze during the most sacred moments in the liturgy.

Although the vestments of the Orthodox Church have their origins in the ordinary, they have become something quite extraordinary. Practical garments and precious works of art, everyday clothing and symbols of devotion. Their beauty reflects heaven on earth; each thread a prayer that unites us with one another across all boundaries of space and time.

Love is all that matters!

Image:
Sakkos of the Bishop of Melenikon Ioannikios
Date: 18th century
Medium: Silk, linen, gold and silver
Accession Number: ΒΥΦ 58
Museum of Byzantine Culture, Thessaloniki, Greece

Source: Heal To Be - a blog about personal culture


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People Directory

Ilija Ika Panajotovic

Ilija "Ika" Panajotovic (25 April 1932 - 18 July 2001) was a Serbian film producer and tennis player.

Panajotovic, who made the junior semi-finals at Wimbledon in 1948, won back to back Yugoslavian Junior Championship titles in 1948 and 1949.

The Serbian competed in 12 Grand Slam tournaments during his career, all in the 1950s. He appeared at Wimbledon seven times and played in the French Championships on five occasions. From 1953 to 1959, Panajotovic participated in Wimbledon every year and made the third round in the 1958 Championships. He had a five set win over Akhtar Ali in the second round, before exiting to tournament with a loss to sixth seed Kurt Nielsen. In the men's doubles he also had success, with Panajotovic and his partner Ivko Plecevic reaching the quarter-finals.

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Welcome to the Sebastian Press Publishing House of the Western Diocese!

Founded in 2006 and named in honor of a first American born Orthodox priest, Fr. Sebastian Dabovic, a pioneer of the Orthodox Church in the West, Sebastian Press is one of the largest and most active publishers of Christian Orthodox publications on the West Coast.

Our hard working staff seeks to fruitfully enrich and deepen the faith of Christians from all over the world with a variety of titles, embracing a diversity of Orthodox Traditions, while also presenting the works of Serbian theologians.

Sebastian Press is building its reputation for promoting high quality theological, historical, ecclesiastical, spiritual, hagiographical, iconographical, philosophical and patristic writings in its repertoire. Also, due to growing demand, we are giving special attention to the publishing of new titles for children, teens, and families, including video and audio programs.

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