A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Gordana Vunjak-Novaković

Gordana Vunjak-Novakovic is a Serbian American engineer and currently a professor of biomedical engineering at Columbia University. She is the director of Columbia's Laboratory for Stem Cells and Tissue Engineering. Vunjak-Novakovic is a highly cited researcher, having published 235 engineering papers, two books, 45 book chapters, and 34 patents. She had also given over 150 lectures across the world. Vunjak-Novakovic is an advisor to the federal government on tissue engineering and regenerative medicine, serving as chair of NIH's tissue engineering section. Vunjak-Novakovic's areas of research include tissue engineering, bioreactors, biophysical regulation, tissue development, and stem cell research.

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Vunjak received her B.S., M.S., and Ph.D. in chemical engineering from the University of Belgrade, in Belgrade, Serbia. After her postgraduate study in Germany, she returned as a faculty to the University of Belgrade in its Chemical Engineering Department. Before arriving at Columbia, Vunjak worked as a Fulbright Fellow at Massachusetts Institute of Technology's Harvard-MIT Division of Health Sciences and Technology from 1986 to 1987. She was an adjunct professor at Tufts University and from 1989 to 1992 a visiting professor in the Netherlands and MIT.

Vunjak was elected a fellow of the American Institute for Medical and Biological Engineering in 2002 and a member of the National Academy of Engineering in 2012. In 2007, she became the first woman engineer to receive the distinction of giving the Director's Lecture at the National Institute of Health. In 2008, she was inducted into the Women in Technology International Hall of Fame, and in 2009, she was elected to the New York Academy of Sciences. Vunjak is a recipient of the Clemson Award given by the Biomaterials Society.

"Politika" Interview (pdf 1.6 MB)

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Milena Pavlović-Barili

Milena Pavlović-Barili (alt. Barilli) (Serbian Cyrillic: Милена Павловић-Барили) (November 5, 1909, Požarevac, Serbia – March 6, 1945, New York City, New York, United States of America) was a Serbian painter and poet.

Her Italian father Bruno Barilli was an influential composer, her Serbian mother, a distant relative of the Karađorđević dynasty, studied art. Milena herself studied at the Royal school of arts in Belgrade, Serbia (1922–1926) and in Munich (1926–1928).

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0