A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Vladimir Kulenović

Following the completion of his post-graduate conducting studies at the Juilliard School, Vladimir Kulenovic was named Associate Conductor of Utah Symphony | Utah Opera in the U.S., Principal Conductor of the Kyoto International Music Festival in Japan and Resident Conductor of the Belgrade Philharmonic Orchestra in Serbia. His recent guest conducting engagements included collaborations with renowned orchestras in the US, Europe in Asia, as well as illustrious soloists including Leon Fleisher, Mischa Maisky, Akiko Suwanai, Joseph Silverstein and Augustin Hadelich, to name but a few.

This season in Europe, Kulenovic leads Leipzig Symphony, Belgrade Philharmonic, Slovenian Philharmonic, Zagreb Philharmonic and Macedonian Philharmonic. Following his debut in Asia at the Kyoto Music Festival, he led two critically acclaimed performances with Evergreen Symphony at the National Concert Hall in Taipei, and will return there in 2013/14. In the U.S., Kulenovic will conduct the final concert of the 2012/13 Utah Symphony subscription season in Abravanel Hall, make his debut with the Grand Rapids Symphony Orchestra in Michigan, and conduct the Jacksonville Symphony as one of 6 top emerging conductors chosen by the League of American Orchestras for the biannual Bruno Walter National Conducting Preview.

Recent engagements include performances with the Beethoven-Orchester Bonn at Beethovenhalle, Leipzig Symphony Orchestra, National Arts Centre Orchestra in Ottawa, Belgrade and Slovenian Philharmonic, Juilliard Orchestra at Lincoln Center, Deutsche Kammerakademie Neuss am Rhein, Verbier, Aspen, Salzburg Mozarteum and Cabrillo festival orchestras, and benefit a performance of Mozart’s Requiem with members of New York Choral Society and Juilliard Orchestra, which raised significant funds for Japan’s Disaster Relief Fund.

An alumnus of the Juilliard School, Kulenovic was awarded the Charles Schiff Conducting Prize for Excellence upon the completion of his post-graduate studies with James DePreist and Alan Gilbert. In addition to his formal studies, he continuously worked with Kurt Masur since 2008 in New York, Bonn, Leipzig and Verbier. As the Conducting Fellow at the Verbier Festival, Kulenovic conducted the Festival Orchestra in two internationally televised performances on Medici TV and was subsequently invited to serve as the conducting assistant to Kurt Masur at the Leipzig Gewandhaus Orchestra. In addition, Kulenovic also had the honor to prepare the orchestra at the Dubrovnik Festival for Zubin Mehta.

Recipient of the Sir Georg Solti Career Assistance Award, Mendelssohn-Bartholdy Scholarship, and Bruno Walter Memorial Scholarship, Kulenovic was the cover conductor of the Baltimore Symphony and Baltimore Opera and graduated from the Peabody Institute under the tutelage of Gustav Meier. He also served as a conducting fellow at the Aspen Music Festival, Salzburg Mozarteum and Cabrillo Festival of Contemporary Music.

Mr. Kulenovic was awarded the prestigious Alfred B. Whitney Prize for the Highest Scholastic Achievement at the Boston Conservatory, where he graduated summa cum laude as Valedictorian, earning degrees in Conducting and Piano Performance. As a pianist, Mr. Kulenovic won the 2nd Prize at the Rubinstein International Piano Competition in Paris.

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Џон Рид

28 дана који нису потресли свет

Како је чувени амерички репортер путовао нашим ратиштем у лето 1915. године, шта је видео и забележио и због чега су ти текстови нашег читаоца чекали шездесет година...

У августовском броју њујоршког месечника „Метрополитен” лета 1915. године на ударним странама, 3–9, али и 53–57, појавио се први текст младог али већ славног репортера Џона Рида илустрован цртежима Канађанина Бордмана Робинсона. После наслова „Србија између битака” потекле су речи:

„Истрљали смо се од главе до пете камфоровим уљем, намазали косу петролеумом, напунили џепове куглицама против мољаца и попрскали пртљаг нафталином, укрцали смо се у воз тако натопљен формалином да су нас очи и плућа пекли као од негашеног креча. Американци из филијале ’Стандард ојла’ у Солуну дошетали су да се с нама последњи пут опросте.

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Publishing

Knowing the Purpose of Creation through the Resurrection

Proceedings of the Symposium on St. Maximus the Confessor

The present volume is a collection of presentations delivered at the St Maximus the Confessor International Symposium held in Belgrade at the University of Belgrade from 18 to 21 October 2012. The Belgrade Symposium brought together the following speakers: Demetrios Bathrellos, Grigory Benevitch, Calinic Berger, Paul Blowers, David Bradshaw, Adam Cooper, Brian Daley, Paul Gavrilyuk, Atanasije Jevtić, Joshua Lollar, Andrew Louth, John Panteleimon Manoussakis, Maximos of Simonopetra, Ignatije Midić, Pascal Mueller-Jourdan, Alexei Nesteruk, Aristotle Papanikolaou, George Parsenios, Philipp Gabriel Renczes, Nino Sakvarelidze, Torstein Tollefsen, George Varvatsoulias, Maxim Vasiljević, Christos Yannaras, and John Zizioulas. The papers and discussions in this volume of the proceedings of the Belgrade Symposium amply attest to the reputation of Saint Maximus the Confessor as the most universal spirit of the seventh century, and perhaps the greatest thinker of the Church. Twenty eight studies have been gathered in the present volume, which is organized into eight chapters, each of them corresponding to the proceedings of the Symposium, all of which are of intense interest and importance. Chapter One brings to light new evidence regarding the sources, influences, and appropriations of St Maximus’ teaching. His mediatorial role as one of the few genuinely ecumenical theologians of the patristic era is acknowledged and affirmed. Chapter Two offers some crucial clarifications on the relationship between person, nature, and freedom. In Chapter Three we find substantial discussion on body, pathos, love, eros, etc. New interpretive paradigms and insights are proposed in Chapter Four, while the next chapter presents the Confessor’s cosmological perspective in light of modern scientific discoveries. Some important ontological and ecclesiological issues are discussed in Chapter Six, while in Chapter Seven we are able to see what contemporary synthesis is possible through St Maximus’ thought. Chapter Eight offers further readings by engaging younger scholars who did not present their papers at the conference but whose studies were accepted by the organizers. In the final paper we find an important overview of the Symposium with a description of the conference’s flow. In an age of plurality and division, it is particularly important to know what our Tradition—shaped by the Fathers—can teach us. In any such endeavor, Saint Maximus the Confessor stands out as the most important theologian of the so-called Byzantine period. Yet his theology, assimilated and incorporated by Tradition, has relevance beyond any single historical period; in fact, the Confessor’s efforts to mediate between East and West distinguish his work as vital for contemporary theological discourse.