A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Milica Paranosic

Critically acclaimed composer Milica Paranosic has established herself as one of New York’s finest and most daring composers, performance artists, producers, and technologists. Her music was described as “Amazing…astonishing,” (The New York Times), “Like liquor-filled pralines,” (Germany’s Morgenpost), and “A painter, musical Jackson Pollack,” (SEAMUS). Milica’s works range from one-woman multimedia shows and sound installations to operatic and symphonic works. Inspired by her travels and international collaborations, Milica imaginatively incorporates music of her Serbian homeland in addition to cross-continental muses such as Brazil, Ghana and China, always striving to create new sound worlds in which contrasting concepts vividly coexist in unique textures.

Milica is recipient of many honors and awards; her work was commissioned by major NYC organizations such as American Composers Orchestra, New Juilliard Ensemble, VisionIntoArt and Buglisi Dance Theater and has appeared at stages of Symphony Space, Zankel Hall/Carnegie, Alice Tully Hall/Lincoln Center, BAM café, Bohemian National Hall and many others. International and intercontinental highlights include BEMUS (Belgrade, Serbia), EtnaFest (Catania, Italy) and Internacional De Música Contemporânea Ppgmus-Ufba, (Bahia, Brazil). Her recent commission by the American Composers Orchestra's for an opener of their 2012-13 season at the Carnegie’s Zankel Hall, was co-sponsored by the LVMH Moët Hennessy • Louis Vuitton.

Milica’s Film scores include original score for Cure by Andrea Staka and Prokleta je Amerika by Boban Skerlic.

Since 1995, Milica has been on the music faculty of The Juilliard School where she co-founded and produced Beyond the Machine, Juilliard’s Festival of Electronic Music. She has taught and created curricula in varied settings such as Belgrade Music University, San Diego State University, Franklin Marshall College, Brotherhood Sister Sol, and 92nd Street Y. She maintains an active private teaching studio, working with professional musicians and beginners, ranging from 5 to 93. Furthering her deep commitment to education and outreach, Milica founded Give to Grow, an education initiative, which brings music technology to developing communities in Ghana.

Milica is a current associate director of Composers Concordance, advisory board member at Composers Now and Miolina, music director of Gallery MC, and founder and CEO of Paracademia LLC and ifounder and executive director a non-profit for Music and Arts educaiton and perfomance, Paracademia Center, Inc.

Source: Official Web Site


People Directory

Petar D. Bubreško

Peter D. Bubresko, professor emeritus, fell asleep in the Lord December 3, 2006. He was an associate professor of French literature & language at Texas Tech University, Lubbock, Texas, which he joined in 1964-77. He earned his B.A. in 1933 and his M.A. in 1935 from the University of Belgrade. He also studied at the University of Grenoble in France (1933-34). He was a recipient of a scholarship from the French Government (1936-39), he studied at Sorbonne under the guidance of Paul Van Thiegen. He prepared in Paris a doctoral thesis on Yovan Dutchich, a study interrupted by WWII. He taught seven years at the junior college level in Yugoslavia and West Germany and later in the United States at St. Olaf College, Northfield, Minn (1960-63).

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Publishing

My Brother's Keeper

by Fr. Radovan Bigovic

Rare are the books of Orthodox Christian authors that deal with the subject of politics in a comprehensive way. It is taken for granted that politics has to do with the secularized (legal) protection of human rights (a reproduction of the philosophy of the Enlightenment), within the political system of so-called "representative democracy", which is limited mostly to social utility or to the conventional rules of human relations. Most Christians look at politics and democracy as unrelated with their experience of the Church herself, which abides both in history and in the Kingdom, the eschaton. Today, the commercialization of politics—its submission to the laws of publicity and the brainwashing of the masses—has literally abolished the "representative" parliamentary system. So, why bother with politics when every citizen of so-called developed societies has a direct everyday experience of the rapid decline and alienation of the fundamental aspects of modernity?

In the Orthodox milieu, Christos Yannaras has highlighted the conception of the social and political event that is borne by the Orthodox ecclesiastical tradition, which entails a personalistic (assumes an infinite value of the human person as opposed to Western utilitarian individualism) and relational approach. Fr Radovan Bigovic follows this approach. In this book, the reader will find a faithful engagement with the liturgical and patristic traditions, with contemporary thinkers, Orthodox and non-Orthodox, all in conversation with political science and philosophy. As an excellent Orthodox theologian and a proponent of dialogue, rooted in the catholic (holistic) being of the Orthodox Church and of his Serbian people, Fr Radovan offers a methodology that encompasses the above-mentioned concerns and quests.

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