A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Milica Paranosic

Critically acclaimed composer Milica Paranosic has established herself as one of New York’s finest and most daring composers, performance artists, producers, and technologists. Her music was described as “Amazing…astonishing,” (The New York Times), “Like liquor-filled pralines,” (Germany’s Morgenpost), and “A painter, musical Jackson Pollack,” (SEAMUS). Milica’s works range from one-woman multimedia shows and sound installations to operatic and symphonic works. Inspired by her travels and international collaborations, Milica imaginatively incorporates music of her Serbian homeland in addition to cross-continental muses such as Brazil, Ghana and China, always striving to create new sound worlds in which contrasting concepts vividly coexist in unique textures.

Milica is recipient of many honors and awards; her work was commissioned by major NYC organizations such as American Composers Orchestra, New Juilliard Ensemble, VisionIntoArt and Buglisi Dance Theater and has appeared at stages of Symphony Space, Zankel Hall/Carnegie, Alice Tully Hall/Lincoln Center, BAM café, Bohemian National Hall and many others. International and intercontinental highlights include BEMUS (Belgrade, Serbia), EtnaFest (Catania, Italy) and Internacional De Música Contemporânea Ppgmus-Ufba, (Bahia, Brazil). Her recent commission by the American Composers Orchestra's for an opener of their 2012-13 season at the Carnegie’s Zankel Hall, was co-sponsored by the LVMH Moët Hennessy • Louis Vuitton.

Milica’s Film scores include original score for Cure by Andrea Staka and Prokleta je Amerika by Boban Skerlic.

Since 1995, Milica has been on the music faculty of The Juilliard School where she co-founded and produced Beyond the Machine, Juilliard’s Festival of Electronic Music. She has taught and created curricula in varied settings such as Belgrade Music University, San Diego State University, Franklin Marshall College, Brotherhood Sister Sol, and 92nd Street Y. She maintains an active private teaching studio, working with professional musicians and beginners, ranging from 5 to 93. Furthering her deep commitment to education and outreach, Milica founded Give to Grow, an education initiative, which brings music technology to developing communities in Ghana.

Milica is a current associate director of Composers Concordance, advisory board member at Composers Now and Miolina, music director of Gallery MC, and founder and CEO of Paracademia LLC and ifounder and executive director a non-profit for Music and Arts educaiton and perfomance, Paracademia Center, Inc.

Source: Official Web Site


People Directory

Branka Katić

Branka Katić (Serbian Cyrillic: Бранка Катић; born 20 January 1970) is a Serbian actress known for appearing in the movies Black Cat, White Cat and Public Enemies, and in the TV series Big Love.

Katić debuted in movie Nije lako sa muškarcima when she was 14 years old. Branka was a student of the Academy of Dramatic Art, and received instruction from actor Rade Šerbedžija.

.
Read more ...

Publishing

Notes On Ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.