A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

The Hagia Sophia

The Mystical Light of the Great Church and its Architectural Dress

by Charalambos P. Stathakis

Dear reader, as you run like the rest of us along the dizzy main road, stop, stay aside for a while. Let the others be dizzy, and take the secret underground trail, which will lead you through the dewdrops of the leaves, the crystal smile of the sun, the city’s underground galler- ies, your knowledge, and your feelings, to the doorstep of the Hagia Sophia. Because all dew- drops, all sunrays, and all beauty lead there. That is what you will be told by my friend, the author, whom I am fond of and whom I send you to, Charalambos Stathakis: the doctor, the warm and humane researcher, the scientist devoted to his work and his patients, who has given a series of scientific papers, who, nevertheless, retains a nest of beauty untouched in his heart, which makes him outstanding—even though he is not a specialist in architecture, nor a historian, nor a theologian, nor a Byzantinist—it makes him stand out in all these together and in entirety.

If you let yourself into his relentlessly personal approach to the Hagia Sophia with humble obedience, the light that transforms the building and is transformed in the building will be revealed to you.

Watch how he stands in front of Hagia Sophia, how he walks among her gold-lit corners, how he touches her heaven-dropped structures, and how he converses with her history, her legends, the interpretations of architects and theologians—he who is the least of all, but because of this also the first. Follow him with discipline on this trail. Work hard to comprehend him. Then return to the beginning to experience it again written in full and in one piece. Study his illustrations with patience. Do not halt on some technical imperfections. Receive what you are given. It comes from a non-specialist and this is why it helps us non-specialists to comprehend the Church, which may be simple in the experience it conveys, but not in its structure and its structural solutions. This is why it is revealed to us gradually by the mystagogical text and the accompanying illustrations. In this way, reader, you will experience the blessed originality of the author in interpreting architecture and space through light.

You will then see how the light helps him in a pioneering comprehension of this mystery: a) in the answer he gives to the question of whether the two external buttresses were con- ceived by Anthemios and Isidore from the start, b) in the explanation of the enormous exte- rior arches based on light, c) in the explanation of the contrast between the exterior and interior thickness of the arch (which, in our view, constitutes the correct understanding of Agathias’ text), d) in the understanding of the ellipticity of the dome, e) in the analysis, for the first time, of the significance of the plaque with the representation of the Church, above the central door in the interior of the Church, f ) in perceiving the lack of harmony in the relationships between the parts of the Church as a transcendence of the “perfection of measurement” for the sake of “spiritual perfection,” and g) in his original point of view about the interior decoration, that is, whether or not there was iconography in the Hagia Sophia from the beginning. Stride the bridge which breaks through the light, dear reader. Follow humbly, with asceticism and obedience, the revelation granted to you by Charalambos Stathakis, a personal interpreter, a relentlessly personal seer, who has a vision of the Great Church, not simply as a resplendent building, but as a living Entity with characters of a Person.

Fr. Stamatis Skliris


People Directory

Momčilo Moma Nikolić

Momo was born in the ancient city of Novi Sad in Vojvodina, a multi-cultural province of the former Yugoslavia. The rich heritage of his upbringing instilled in him a love of Slavic and classical music. Momo studied music at the music school "Isidor Bajic" in Novi Sad. He is an extremely gifted musician, who plays many stringed instruments. Momo plays the Prim Tamburitza, and is known to be a master of this instrument. He was a member of the great Tamburitza orchestra of RTV-Novi Sad (1970-1990) as instrumental soloist. He is best known in performing with the legendary Janika Balaz Orchestra "8 Tamburitza of Petrovaradin."

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Publishing

Commentary on the Epistles of St. John the Theologian

by Archimandrite Justin Popovich

This Commentary on the Epistles of St. John the Theologian - published now, three years after the blessed repose of Venerable Fr. Justin (on the Feast of the Annunciation, 1979) - was written by the tireless Messenger of Christ forty years ago, in circumstances similar to those in which Christ's Holy Evangelist John wrote his sacred Epistles.

The text of this 93-page soft-bound book has been translated from the Serbian by Radomir M. Plavsic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 5, First Edition, ISBN: 978-0-9719505-6-6