A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tatjana Rankovich

Described by The New York Times as an "astonishingly good pianist", Tatjana Rankovich is committed to continuously expanding the boundaries of the traditional repertoire, constantly searching for and discovering new contemporary music and devoting her interest to performing rarely heard works of the past. An innate instinct to create a spectrum of different styles, old and new, known and unknown, is the very essence of her as an artist and it takes place with every one of her concerts.

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She is the first pianist ever to play the First, Second and Third Piano Concertos of Nicolas Flagello, recording them with the National Symphony Orchestra of Ukraine and the Slovak Philharmonic, which were released to unanimous praise and chosen for one of the five "best of the year" recordings in 1996, 1999 and 2005, by Fanfare magazine. These premiere recordings were described as "splendid" and "superb." In his review (Classical Net, 2008), of the Naxos/Flagello Piano Concerto CD, Steve Schwartz writes: "The concerto holds no terrors for Serbian pianist Tatjana Rankovich, one of my favorite performers, who routinely takes risks on unknown repertoire. She undoubtedly knows like the back of her well-muscled hand the Russian school of piano writing Flagello makes use of. She plays with fiery power. At the end of the recording I, without giving it a thought, stood up. Imagine what she would do to a live audience."

Born in Belgrade, Serbia, Ms. Rankovich has performed throughout the USA, Canada, Europe, Central and South America and as a guest soloist many orchestras worldwide. In 2002 and again in 2006, as a recipient of the Fulbright Grant and sponsored by the US State Department, Ms. Rankovich appeared in recitals throughout Serbia and Montenegro and as a Cultural Ambassador gave master classes at the Belgrade Conservatory. She is one of the main artists performing annually at the New York Contemporary Festival "Keys To The Future", where she received only lavish praise for her many premiere performances. In the summer of 2008, Tatjana Rankovich was a recipient of the prestigious State Award, "Golden Badge", which is awarded annually by the Serbian Ministry of Diaspora in Belgrade, Serbia.

Tatjana Rankovich has recorded several acclaimed discs for Phoenix USA, Naxos, Albany, Artek, Dezil, Citadel, and most recently (released in 2010), a highly praised 3-disk set of live recordings for IBOX. The review by Jerry Dubins of Fanfare Magazine (October, 2010) reads: "My long time favorite recording (of the Shostakovich Piano Concerto #1) has been the one with Argerich… But I think this version with Rankovich now takes pride of place. It"s quite stunning…"

A laureate of many competitions, Ms. Rankovich holds Bachelors degree from the Academy of Music in Novi Sad, Yugoslavia and Bachelors and Masters degrees from the Juilliard School, where she also won the Judelson Piano Award, Gina Bachauer Scholarship and a Teaching Fellowship Grant. She studied with Arbo Valdma (Belgrade, Novi Sad), Clifton Matthews (Sion, Switzerland and NC School of the Arts), Joseph Raieff (Juilliard) and Benjamin Kaplan (London).

Besides her busy performing and teaching career Ms. Rankovich is affiliated with a non-profit organization Performance Wellness, which is dedicated to treating many of the psychological and behavioral problems that afflict musicians and other performers. As a certified Performance Wellness Trainer, she often leads Performance Wellness seminars and workshops at colleges and universities worldwide.

Ms. Rankovich has adjudicated at the International Keyboard Institute and Festival in NYC. Recently, she has joined a distinguished faculty, at a prestigious InterHarmony Summer Music Festival in Sulzbach-Rosenberg, Germany, where she will be teaching and performing in August of 2011. As a member of The Piano Teachers Congress of New York, Ms. Rankovich is the chairperson for the 20th and 21st Century Music Festival for young pianists and composers. She resides in New York City, where she is presently on the piano faculty in the Preparatory Division at the Mannes College of Music.

Source: Official Web-Site


SA

 

People Directory

Sava Vemić

Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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Publishing

History, Truth, Holiness

by Bishop Maxim Vasiljevic

Bishop Maxim’s first book, described by Fr. John Breck as an “exceptionally important collection of essays” contributing to both the theology of being and also contemporary theological questions, is now available! Christos Yannaras describes Bishop Maxim as “a theologian who illumines” and Fr. John McGuckin identifies his work as “deeply biblical and patristic, academically learned yet spiritually rich.” The first half of the book collects papers emphasizing theological ontology and epistemology, reminding us how both the mystery of the Holy Trinity and that of the Incarnation demand that we rethink every philosophical supposition; it includes chapters on holiness as otherness, truth and history, and the biochemistry of freedom. The second half of the book features lectures dedicated to the theological questions posed by modern theology, including studies of Orthodox and Roman Catholic ecclesiology, liturgics, and the theology of icons.