A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Serbian Americans: History—Culture—Press

by Krinka Vidaković-Petrov, translated from Serbian by Milina Jovanović

Learned, lucid, and deeply perceptive, SERBIAN AMERICANS is an immensely rewarding and readable book, which will give historians invaluable new insights, and general readers exciting new ways to approach the history​ of Serbian printed media. Serbian immigration to the U.S. started dates from the first few decades of 19th c. The first papers were published in San Francisco starting in 1893. During the years of the most intense politicization of the Serbian American community, the Serbian printed media developed quickly with a growing number of daily, weekly, monthly and yearly publications. Newspapers were published in Serbian print shops, while the development of printing presses was a precondition for the growth of publishing in general. Among them were various kinds of books: classical Serbian literature, folksong collections, political pamphlets, works of the earliest Serbian American writers in America (poetry, prose and plays), first translations from English to Serbian, books about Serb immigrants, dictionaries, textbooks, primers, etc.

370 pages, soft bound, published in 2015 • price $20


SA

 

People Directory

Bishop Irinej (Dobrijević)

(2016–)

On 25 May 2016 the Holy Assembly of Bishops of the Serbian Orthodox Church elected by acclamation Bishop Irinej of Australia and New Zealand to the Throne of Bishops of Eastern America following the election of Bishop Mitrophan of Eastern America to the Throne of Bishops of Canada.

He was born in 1955 in Cleveland, Ohio, USA, to his father Djuro and mother Milica (nee Svilar). His elementary and secondary education was completed in Cleveland, Ohio. After attending the Cleveland Institute of Art from 1973–1975, he attended St. Tikhon’s Orthodox Theological Seminary in South Canaan, Pennsylvania from 1975–1979, where he graduated with a Licentiate in Theology with the academic distinction maxima cum laude. In 1980 he enrolled in St. Vladimir’s Orthodox Theological Seminary in Crestwood, New York and graduated in 1982 with a Master of Divinity degree with Honorable Mention for his master’s thesis Bishop Nicholai Velimirovich: A 1921 Mission to America. Following which, he entertained studies at the Athens Centre in 2000 and 2003 receiving levels I and II certificates in contemporary Greek language.

He spent most of his career in the field of education. He lectured as visiting fellow at Loyola University in Chicago and visiting fellow at the Faculty of Orthodox Theology in Belgrade. For many years he was the co-editor of The Path of Orthodoxy, the official publication of the Serbian Orthodox Church in the USA and Canada.

Read more ...

Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0